Art & Markets Collaborators
The Getty Research Institute
Los Angeles (CA), USA
The Getty Research Institute is dedicated to furthering knowledge and advancing understanding of the visual arts and their various histories through its expertise, active collecting program, public programs, institutional collaborations, exhibitions, publications, digital services, and residential scholars programs. Its Research Library and Special Collections of rare materials and digital resources serve an international community of scholars and the interested public. The Institute’s activities and scholarly resources guide and sustain each other and together provide a unique environment for research, critical inquiry, and scholarly exchange.
Erasmus University: Department of Arts & Culture Studies
Rotterdam, The Netherlands
The Faculty’s research centers on the following focus areas:
- Culture, Heritage and Globalization
- Conflict and Social-Economic Order
- Cultural Entrepreneurship and Creative Industries
- Identities, Representation, and Society
- Production and Reception of Media and Culture
Belvedere Research Center
Österreichische Galerie Belvedere, Vienna, Austria
The Belvedere Research Center is dedicated to documenting, indexing, and studying Austrian art in an international context—from the Middle Ages to the present day. The Research Center includes a specialist library, various archives, and online databases that are aligned to the profile of the museum’s collection. In addition to the scholarly processing of key source documents, national art history is inscribed in an increasingly global knowledge landscape through collaborative research projects, conferences, and publications. A central consideration is to enable free, open, and linked access to digitized cultural heritage.
Kunsthistorisches Institut Köln
Köln (Cologne), Germany
Since the winter semester of 2012/2013, the newly emerging research area art market has been a permanent place in research and teaching at the Kunsthistorisches Institut (Kunsthistorisches Institut) through the art market of the “Einfach-Masterstudiengang Kunstgeschichte”. In dealing with this research area, its various fields are focussed on, including the employment of actors in the primary and secondary market. In particular, the relationships between suppliers, buyers and competitors are analyzed intensively, both in terms of their historical development and in their current form, as well as their impact on the enforcement and canonization of visual art, for example value configurations of the visual arts.
MAPTAP
KU Leuven, Belgium
TIAMSA
The International Art Market Studies Association encourages the study of art markets of all regions and periods and provides an infrastructure which supports both research and networking among art market professionals and scholars. Launched in July 2016, TIAMSA is a rapidly growing association with currently 180 members (July 2017) from 15 countries, among them art market professionals, scholars from a wide range of disciplines (art history, economics, history, law, sociology), students and institutional members such as the Getty Research Institute (Los Angeles) or the Centre allemand d’histoire de l’art (Paris).
Urbane, Regionale und Internationale Wirtschaftsbeziehungen
Technische Universität Dortmund, Germany
This is the professorship of Prof. Christiane Hellmanzik, PhD. She is a labour and trade economist with a particular interest in creative production. Her research has covered a range of topics from agglomeration of economic activity to migration, peer effects, auctions and art markets, economic history as well as international trade of goods and services. Most of her research employs large, novel datasets based on which certain aspects of creative production can be quantified and thereby understood better. Her most recent research projects concern the role of the internet for international trade in services as well as the production by historic writers.
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